Tag: oldevents

Discovering the Libraries: Top 10 things to know

By MIT Libraries’ student blogger, Pri Tembhekar

Hello everyone!

It is with bittersweet sentiment that I write my last blog for the MIT Libraries. This post will be about the top 10 things to know about the Libraries. I’ve covered some of these tips in other posts, so this entry will be a good way to tie it all together.

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Bonus tip:The courtyard outside Hayden Library is a relaxing place to study.

  1. Library hideaways can make studying just a little better. The Libraries have many beautiful places to study and also contain 24-hour study rooms. Check out my post about the Lewis Music Library.
  2. Stop by the Libraries for textbooks. You don’t have to carry them around in order to study between classes. The Libraries have textbooks on reserve that you can check out for two hour increments. There are also some textbooks available online through the Libraries. It could save you significant money!
  3. Think outside your courses for fun options at the Libraries. The Libraries have resources well outside science and technology. The Libraries have videos and travel books. Check out my spring break post for more ideas.
  4. On a similar note, the Libraries can help you pursue your interests. The Lewis Library has concerts and open mics that could help nurture and preserve your interest in music. If art is more your style, the Libraries’ pass to the MFA allows you to take non-MIT friends along for free.
  5. Student jobs at the MIT Libraries are a fantastic way to make money and learn. There are many ways to get involved. From the student workers I interviewed, I really got the sense that working at the Libraries had become more than just a job. In my short time here I have learned a lot about blogging and felt a community among the Libraries’ staff. Check out my student jobs post.
  6. The libraries can make research less painful! For in-depth, longer-term research making an appointment with a librarian can go a long way. Subject matter experts can really push you in the right direction. See my post on research resources for more information.
  7. Research guides provide a quicker fix and concise information. They can be accessed online and cover a wide range of subjects. More information is available in the research resources post.
  8. One of the lesser known Libraries’ resources are the range of special events they host. During their IAPril series of events, I learned about using Mendeley software to manage PDFs and citations. There were also events on 3-D printing and business resources. Some events can be really surprising. For example, preservation week brought a letter locking event to MIT.
  9. Meet at least one librarian or staff member during your time at MIT. When I met Jana Dambrogio, I was amazed by her passion for letter locking, something I had never heard of. Not only are they incredible resources, but the Libraries’ staff have unique interests that are refreshing for someone immersed in science and technology.
  10. The Libraries’ scanners are fantastic. They create high quality images with no hassle. When I asked a few senior friends what they liked best, this was the most surprising answer.

I hope you’ve enjoyed reading my blog as much as I’ve enjoyed writing it! There’s an excellent video on this topic made by the Libraries and featuring students. Best of luck readers!

Discovering the Libraries: Galleries, audio books, and 24-hour study

By MIT Libraries’ student blogger, Pri Tembhekar

Hello everyone!

This week’s post is about fun and eclectic features of the Libraries. These are useful for some intellectual relaxation or a quick break from studying in the library. As the Libraries’ blogger, I wanted to explore some aspects of the Libraries that are less well-known. This week, I dove into the galleries and audiobook collection. This post will be followed by one on preservation, the archives, and rare books.

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Maihaugen Gallery

With graduation just around the corner, many of us have friends and family visiting. These curious visitors often want to know more about the history and importance of MIT (especially when their darling child is getting a degree). The MIT Museum is a great resource, as are the Library exhibits. The largest library exhibit space is the Maihaugen Gallery. You have likely passed by this gallery on your way to Hayden Library or Walker Memorial. It is located in 14N-130. Established in 2008, the Maihuagen Gallery provides an up-close look at MIT’s rare books, artwork, maps, historical documents and photographs. Currently, the gallery is showcasing the evolution of computing at MIT. Friends and family members of all ages will likely enjoy seeing relics from a by-gone computing age and their connection to MIT.

To celebrate the end of the year, I’m taking a few road trips. Top 40 on the radio can get old fast, so this time I’m planning to bring along some audio books. The Libraries have a collection of audio books for all different tastes. For example, I’m interested in the impact of social media on human interactions so Professor Sherry Turkle’s book Alone Together stood out to me. One cautionary note is that the audiobooks are primarily in CD format. Thus if you have a fancy new car that only reads mp3s, this might not be the right option.

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Dewey Library 24×7 study space

Finally, I wanted to include a note about the 24-hour study spaces the Libraries provide. You’ll probably be studying this part of the semester and it can sometimes be hard to find a quiet space. During non-library hours these areas are accessible with your MIT ID. They do not provide access to library books, however there are plenty of tables, computers, and printers. Good luck with finals!

Adventurer in Light and Color: Stained glass exhibit

Stop by the Jackson Homestead in Historic Newton before the end of July to catch the “Charles J. Connick: Adventurer in Light and Color” exhibition. It features drawings, photos, studies, and stained glass works by Charles J. Connick a prominent stained glass artist from Newton, Massachusetts. Included in the exhibit are several reproductions of drawings held by MIT Libraries as well as a stained glass window (Sir Bors Succours the Maid) from the Libraries’ collections. For more information about the Charles J. Connick Stained Glass Foundation Collection held at MIT, visit our Special Collections page or watch the video at TechTV.

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Design inspired by E. Dickinson poem “There is no Frigate Like a Book.”

The exhibition features the cartoon, or full-size study for a work in another medium, shown here.  This design was executed in pencil and gouache and later realized in stained glass in 1939 for the Newtonville Public Library, which is now the Newton Senior Center. The work was inspired by the Emily Dickinson poem, “There is no Frigate Like a Book.” For more information about this image, please visit the Charles J. Connick image collection in Dome.

For more about the work of Charles J. Connick and his studio, visit the Charles J. Connick Stained Glass Foundation website and the Boston Public Library’s Charles J. Connick Gouaches: Massachusetts Flickr collection.

The following details were captured when the cartoon was in the Wunsch Conservation Lab for examination.

This post was researched written with Lorrie McAllister, Digital and Special Collections Strategist.

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Connick’s initials “CJC” and date 1939.

This detail reveals underdrawing in pencil.

This detail reveals underdrawing in pencil.

 

White drips of paint may suggest that Connick worked some areas upright.

White drips of paint may suggest that Connick worked some areas upright.

 

This detail shows the painterly quality of the work.

This detail shows the painterly quality of the work.

 

MIT’s Monuments Men

We are pleased to note that MIT alumni served with the World War II “Monuments Men” to save cultural treasures. Here is information about two of them.

Joseph “Paul” Gardner

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Photo credit: Fold 3 by Ancestry

According to sources in MIT Institute Archives and Special Collections Joseph Paul Gardner was born on October 20, 1894.

Prior to coming to MIT he attended Somerville High School. He attended MIT from 1913-1917, and took courses in architecture (course 4). Gardner did not receive a degree from MIT, but was considered to be part of the class of 1917. While at MIT, he was a member of Delta Kappa Epsilon and the Architectural Society. He also participated in the Tech Show, where he was described as chief ballet dancer.

Images of Mr. Gardner’s involvement in the Tech Show can be found in the 1915-1918 editions of Technique. Gardner pictured above with the troupe from 1916. (Technique, 1916).

After leaving MIT, Gardner joined the Coast Artillery Corps and served during World War I. He received the rank of 1st Lieutenant of August 9, 1917, and would be promoted to Captain on March 5, 1918. From September 3 to November 26, 1917, he was in the Officers’ Training Camp at Ft. Monroe, Virginia. He served in the American Expeditionary Forces from December 11, 1917 to July 17, 1919. He was at the Heavy Artillery School in Mailly-le-Camp in January 15, 1918. During April he was assigned special duty with the Heavy Artillery Board designing trains for Railway Artillery. From April 25 to November 8, 1918, he was in command of Battery H, 53rd Artillery, Coast Artillery Corps at front in Champagne Sector. While in command, he participated in the Champagne-Marne Defensive and the Meuse-Argonne Offensive. After the armistice, he was stationed at Le Mans Embarkation Center. He was awarded the Croix de Guerre with Palm and Fourragère for the promptness of his unit to return fire while under bombardment by shrapnel and gas shells at age twenty-one. At the end of the war, he traveled Europe studying architecture.

Gardner became the Ballet Master for the Washington Opera Company and the co-owner of the Tchernikoff Gardner School of Dancing. He also spent nine years as a dancer with Anna Pavlova’s Ballet Company. During this time, he received his Bachelor’s of Art in European history from George Washington University, graduating in 1928.

It is unclear what occupation he held after returning from Europe. The 1920 Alumni Directory lists his address as Los Angeles, California, but no occupation is given. By 1925, he had relocated to Washington, DC. In 1929 he received an MA from George Washington University. In 1930 he decided to focus on art, and attended doctoral classes at Harvard’s Fogg Art Museum in order to prepare himself for museum work, completing his studies in 1932. He became the assistant to the Trustees of the William Rockhill Nelson Trust in March of that year and was appointed as first Director of the William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts in 1933. In 1932, he was involved with the creation of a new art museum in Kansas City Missouri. The following year he was appointed director of this museum, the William Rockhill Nelson Gallery of Art (now the Nelson Atkins Museum of Art) in Kansas City, Missouri where he would work until his retirement in 1955.

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Photo credit: Monuments Men Foundation

During World War II, he served in the US Army, where he achieved the rank of Lieutenant Colonel. He served in the Military intelligence Service on the Sub-commission for Monuments and Fine Art in Italy. From 1942 to 1945 he also served as the Military Governor of Ischia, an Italian island in the Mediterranean Sea. In October 1943, he was the lone MFAA officer to arrive to the ruins of Naples after many delays and difficulties. He served during World War II as a Lieutenant Colonel in command of the MFAA in Italy. From 1942 to 1945 he also served as the Military Governor of Ischia, an Italian island in the Mediterranean Sea. In October 1943, he was the lone MFAA officer to arrive to the ruins of Naples after many delays and difficulties. The 1955 edition of the Alumni Directory lists his address was given as Las Milpas, San Patricio, New Mexico. After the war he returned to the museum until resigning as Director in May 1953. For the last nineteen years of his life he spent his summers on his ranch in New Mexico, and his winters in Italy. Gardner died in Lincoln, New Mexico on September 11, 1972.

Robert Edsel’s book Saving Italy discusses the heroism of former Nelson-Atkins director Paul Gardner. Edsel created the Monuments Men Foundation for the Preservation of Art, which honors the legacy of the Monuments Men.

Photo credit: Monuments Men Foundation

 

Sidney Biehler Waugh

Sidney Biehler Waugh was born on January 17, 1904. He attended Amherst High School prior to coming to MIT, and his address on entrance was MAC Campus, Amherst, Massachusetts. Waugh attended MIT from 1921 to 1923, and during 1925, taking courses in architecture (course 4). While at MIT, he was a member of the Architectural Society and the Kappa Sigma fraternity.

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In 1929, Mr. Waugh won the Prix de Rome for his sculpture “Steel.” An image of this sculpture can be found in Technology Review vol. 31, p. 480. As of 1933, he began to produce designs for Steuben Glass.

Images of his glass works can be found in Technology Review (vol. 38, p. 339, and vol 40, p. 66) and the Corning Museum of Glass collection online. In 1934, he had the prize exhibit in a salon devoted to American-made glass. Around this time, he became involved with MIT again, serving on the Visiting Committee for Architecture from 1935-1940, with the exception of the 1937/1938 term. In 1937, he would design a glass medal for a competition sponsored by the Pittsburgh Glass Institute. Mr. Waugh created both a sculpture and fountain that was exhibited in front of the Maritime Building in the NY World’s Fair in 1939.

The 1948 directory states that he served as a captain in the US Army during World War II. For his service he was awarded the Silver Star, Bronze Star, and Croix de Guerre (twice), and named a Knight of the Crown of Italy. He joined National Sculpture Society in 1930 and was elected president in 1948.

He wrote two books: The Art of Glassmaking in 1938 and The Making of Fine Glass in 1947.

In 1957 Waugh designed the Atoms for Peace gold medal. A folder on Sidney Waugh can be found in the Atoms for Peace Awards records (MC10, b.3) in the MIT Institute Archives and Special Collections.

Sidney Waugh died on June 30, 1963. He had been a member of the National Institute of Arts and Sciences.

Thank you to Sony Pictures for providing a copy of “The Monuments Men, starring George Clooney, Matt Damon, and John Goodman, before its DVD/Blu-ray release on May 20th. The free screening will be shown to the MIT and Harvard students as a part of National Preservation Week celebrations. The film is based on the book The Monuments Men: Allied Heroes, Nazi Thieves and the Greatest Treasure Hunt in History by Robert M. Edsel. MIT students will have a chance to win a signed copy of the Edsel’s book at the Movie showing on April 29th. Thank you also to the Monuments Men Foundation.

Thank you to Christina Tanguay, Kate Beattie, and Jana Dambrogio for researching and co-writing this blog post.

Make the most of May! What to know before you leave for the summer:

May flowers in the Hayden courtyard, photo by: Grace Liang

  • You’re in the final stretch so hang in there! We’ve got finals week study breaks May 15th-21st to get you through your exams. Take a break, have a snack, and de-stress with therapy dogs at Hayden.
  • Before you go, return any library books you don’t need, but keep the ones you do. Not finished reading that great novel or research tome you checked out? We totally understand. Our longer loans and auto-renewals make it easier to hold onto those vacation-day reads.
  • Stay in touch while you’re away. Access the Libraries from anywhere off-campus, and follow us on Twitter and Facebook for the latest news. Stay tuned for big changes to our website later this summer, here’s a preview.

Finals Week study breaks, May 15–21

StudybreakDog2webDuring finals week, take a study break…have a snack, pet a dog, and de-stress!

Cookies and beverages will be served near the entrance to each library on the dates below. Therapy dogs from Dog B.O.N.E.S. will make a special visit to Hayden Library for Cookies with Canines.

Thursday, May 15, 2–3:30 pm
Hayden Library (14S) – Cookies with Canines

Monday, May 19, 2–4 pm
Dewey Library (E53-100) – Study Break

Tuesday, May 20, 2–3:30 pm
Barker Library (10-500) – Study Break

Wednesday, May 21, 2–3:30 pm
Rotch Library (7-238) – Study Break

Follow us on Twitter and Facebook for chances to win an MIT Libraries Tim t-shirt during the study breaks!

The art and science of letterlocking

Jana Dambrogio, MIT Libraries’ Thomas F. Peterson Conservator
(Photo: L. Barry Hetherington)

Long before email, text, and instant message, important words were passed discreetly from closed palm to palm with a knowing glance and nod. These hand-written notes were often elaborately folded, sealed with wax, and rigged with anti-tamper devices to ensure their protection and authenticity.

The technique of “locking” letters involves folding the parchment, papyrus, or paper securely so that the letter functions as its own envelope. Well-known historical figures such as Queen Elizabeth I of England, Marie Antoinette, and even MIT’s founder, William Barton Rogers, used locked letters for their private communications.

“Letterlocking has been around for centuries, and has been used by prominent figures as well as everyday people,” says Jana Dambrogio, MIT Libraries’ Thomas F. Peterson Conservator. “Some of the earliest examples on paper are found in the Vatican Secret Archives and date back to 1494.”

Dambrogio, who is the conservator of MIT’s rare books, archives, and manuscripts, will demonstrate the technique of locking letters in two upcoming events at MIT: Historic Letterlocking: the Art, Technology and Secrecy of Letter Writing on April 23 during the Cambridge Science Festival, and April 29 during MIT Libraries’ Preservation Week. Read the full article on MIT News.

Last open mic this semester – Friday, May 2

pianoJoin us for the final open mic this semester in the Lewis Music Library, one last chance to try out the new piano. Come jam, perform, or just listen. Everyone welcome. Bring your own music or use the library’s (we’ve got lots!).

Date: Friday, May 2, 2014
Place: Lewis Music Library, Bldg. 14E-109
Time: noon- 1 pm
Refreshments provided

Composer Florian Hollerweger: Thursday, May 1

Composer forum series: Florian Hollerweger

revolution_florianThe Revolution is Hear! Sound Art, the Everyday, and Aural Awareness.

Date: Thursday, May 1, 2014
Place: Lewis Music Library, Bldg. 14E-109
Time: 5-6 pm
Reception follows
Free and open to the public

Sponsored by MIT Music and Theater Arts.