This project is an effort for the curator to give themself a voice in the process of figuring out the “middle ground”—a gradient of unsettled propositions stretching between cultural identities, negotiating with constructed collective memories, and discursively evolving over a three-year-long uncanny journey trying to perceive the COVID-19 lockdowns in China.
There are no upcoming exhibit announcements at this time. New exhibits are added throughout the year, so please check back.
The photographs in this work are at once a survey, critique and minor celebration of a target parking lot and everyday urban relationships that generate questions rather than answers.
Boston’s Little Syria (also known as Syriatown), thrived between the 1880s and 1950s in today’s Chinatown and South End, yet few Bostonians are familiar with it. Drawing from photographs, property maps, and memoirs of Syrian- and Lebanese-Americans, this exhibition narrates the history of a neighborhood which is nearly invisible today.
In our project NeuraFutures we are touching upon implanting memories, reading your dreams while you sleep and communicating a thought between two different people throughout the continents.
Wojnarowicz in Cambridge is a series of photographic portraits composed in response to David Wojnarowicz’s Rimbaud in New York series. It brings queer visibility into the public sphere, inviting viewers to consider identity—as something constructed, as something fluid and changeable—so that the current dialogue (and debate) about identity politics becomes more nuanced, more inclusive, more representative.
Reception: September 14, 2022, 4-6pm in Rotch Library Gallery
This exhibition is of paintings by MIT alumna Susan E. Schur. Her work utilizes various techniques of employing oil paint on paper and board to create works that provide exciting, multi-layer visual experiences, with each viewer becoming an active participant in the realization of the vision presented.
