Soft City is a large-scale textile series that maps the urban fabric of Black neighborhoods in the Boston area. The tapestries map historic (redlined) and contemporary Black neighborhoods, including Roxbury, Dorchester, and East Cambridge.
Reception: March 11, 5-6pm
By combining the intensity of poetry with vivid imagery, The Poetry of Science aims to strengthen the voices and experiences of distinct communities of color, synthesizing a striking poetic and visual language.
The Shingles Nest is a small pavilion installation that inhabits the Rotch Library and serves as a reading corner; visitors are invited to sit inside and enjoy the privacy and warmth of the wooden cocoon.
With a renovation of Charles Hayden Memorial Library, the MIT Libraries aim to create physical spaces that reflect the library of the future.
This exhibit brings together items from Hayden’s past — archival materials relating to its planning and dedication — with the vision for its future in a celebration of the library’s enduring role fueling research and learning at MIT.
What does it mean to remember? Sited in four Italian towns that have been indelibly changed by natural disasters, this exhibition explores the notion of architectural memory. Across Pompeii, Catania, Poggioreale, and Gibellina, each town...
Despite being known mostly for its strength in science and technology, MIT is home to many skilled artists who pursue their work inside and outside the Institute.
These works present a variety of thoughtful images reflecting their lives at home, in our community, and traveling.
The Irrawaddy River is the major waterway and largest river in Myanmar. It flows from north to south and it is used by Burmese people daily to take baths, do laundry, wash vegetables, and transport goods for trade and other commercial purposes.
Camila Chaves Cortes has taken three trips along the Irrawaddy watching the life, landscapes, and boats along the way. These inspired her to show these color photographs, cyanotypes, paintings, and a three-dimensional sculpture of one of the boats.
This exhibition is by Boston-based writer and artist and 2007 MIT alumni Will Dowd. These thirteen prints use the paintings of Vermeer—those paragons of visual perfection—to explore issues of sight and optics.
By manipulating these iconic artworks, Dowd allows viewers to see through his eyes—and visual impairment—thereby offering a fresh look at an old master.
MIT Libraries’ Distinctive Collections seeks not only to help hold history for all, but also to inspire the new. In Mens et Manus: Making the Book at MIT we showcase some of the ways in...
The design studio “A Theater Without Theater” invited students to explore the architectural potentials of the theatrical. Discovering productive intersections with theater, students acquired a better understanding of architecture and the city.
