{"id":1617,"date":"2011-04-08T01:00:24","date_gmt":"2011-04-08T05:00:24","guid":{"rendered":"http:\/\/info-libraries.mit.edu\/150books\/?p=1617"},"modified":"2023-07-19T16:27:44","modified_gmt":"2023-07-19T16:27:44","slug":"1952","status":"publish","type":"post","link":"https:\/\/libraries.mit.edu\/150books\/2011\/04\/08\/1952\/","title":{"rendered":"Year 92 &#8211; 1952: The Decisive Moment by Henri Cartier-Bresson"},"content":{"rendered":"<p>Published: New York, 1952<a href=\"https:\/\/libraries.mit.edu\/150books\/2011\/04\/08\/1952\/1952-title\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1618 size-medium\" src=\"https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-title-220x300.jpg\" alt=\"\" width=\"220\" height=\"300\" srcset=\"https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-title-220x300.jpg 220w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-title-751x1024.jpg 751w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-title-768x1047.jpg 768w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-title-1127x1536.jpg 1127w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-title-624x850.jpg 624w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-title.jpg 1372w\" sizes=\"auto, (max-width: 220px) 100vw, 220px\" \/><\/a><\/p>\n<p>Hailed by many as the father of modern photojournalism, Henri Cartier-Bresson here presents the culmination of twenty-five years of work. \u00a0By this point in his life, Cartier-Bresson had shared New York gallery space with Walker Evans; had escaped from a Nazi POW camp on his third attempt, after nearly three years of forced labor; and had co-founded Magnum Photos, an international photo cooperative that remains in operation today (one of his co-founders was Robert Capa, who was featured in our posting for 1938).<\/p>\n<p>Previously a painter, Cartier-Bresson describes the interlude when he came to photography, which happened while convalescing in Marseille after a nearly fatal brush with blackwater fever:<\/p>\n<blockquote><p>I prowled the streets all day, feeling very strung-up and ready to pounce, determined to \u201ctrap\u201d life \u2013 to preserve life in the act of living. \u00a0Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.<\/p><\/blockquote>\n<p>Words will do little justice to his photographs, so we\u2019ll simply allow these few images to speak for themselves.<\/p>\n<p><a href=\"https:\/\/libraries.mit.edu\/150books\/2011\/04\/08\/1952\/1952-chicago\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1619 size-medium\" src=\"https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-chicago-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\" srcset=\"https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-chicago-205x300.jpg 205w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-chicago-700x1024.jpg 700w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-chicago-768x1123.jpg 768w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-chicago-1051x1536.jpg 1051w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-chicago-624x912.jpg 624w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-chicago.jpg 1249w\" sizes=\"auto, (max-width: 205px) 100vw, 205px\" \/><\/a><a href=\"https:\/\/libraries.mit.edu\/150books\/2011\/04\/08\/1952\/1952-man-turning\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1620 size-medium\" src=\"https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-man-turning-207x300.jpg\" alt=\"\" width=\"207\" height=\"300\" srcset=\"https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-man-turning-207x300.jpg 207w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-man-turning-707x1024.jpg 707w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-man-turning-768x1112.jpg 768w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-man-turning-1061x1536.jpg 1061w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-man-turning-624x904.jpg 624w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-man-turning.jpg 1272w\" sizes=\"auto, (max-width: 207px) 100vw, 207px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/libraries.mit.edu\/150books\/2011\/04\/08\/1952\/1952-mother-and-son\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1621 size-medium\" src=\"https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-mother-and-son-202x300.jpg\" alt=\"\" width=\"202\" height=\"300\" srcset=\"https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-mother-and-son-202x300.jpg 202w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-mother-and-son-689x1024.jpg 689w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-mother-and-son-768x1141.jpg 768w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-mother-and-son-1034x1536.jpg 1034w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-mother-and-son-624x927.jpg 624w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-mother-and-son.jpg 1233w\" sizes=\"auto, (max-width: 202px) 100vw, 202px\" \/><\/a><a href=\"https:\/\/libraries.mit.edu\/150books\/2011\/04\/08\/1952\/1952-peking\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1622 size-medium\" src=\"https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-peking-204x300.jpg\" alt=\"\" width=\"204\" height=\"300\" srcset=\"https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-peking-204x300.jpg 204w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-peking-696x1024.jpg 696w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-peking-768x1131.jpg 768w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-peking-1043x1536.jpg 1043w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-peking-624x919.jpg 624w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-peking.jpg 1233w\" sizes=\"auto, (max-width: 204px) 100vw, 204px\" \/><\/a><a href=\"https:\/\/libraries.mit.edu\/150books\/2011\/04\/08\/1952\/1952-punjab\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1623 size-medium\" src=\"https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-punjab-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-punjab-200x300.jpg 200w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-punjab-684x1024.jpg 684w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-punjab-768x1149.jpg 768w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-punjab-1026x1536.jpg 1026w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-punjab-624x934.jpg 624w, https:\/\/libraries.mit.edu\/app\/uploads\/sites\/6\/2011\/03\/1952-punjab.jpg 1216w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><br \/>\n<a href=\"https:\/\/mit.primo.exlibrisgroup.com\/permalink\/01MIT_INST\/jp08pj\/alma990005801840106761\" target=\"_blank\" rel=\"noopener\">Find it in the library<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Published: New York, 1952 Hailed by many as the father of modern photojournalism, Henri Cartier-Bresson here presents the culmination of twenty-five years of work. \u00a0By this point in his life, Cartier-Bresson had shared New York gallery space with Walker Evans; had escaped from a Nazi POW camp on his third attempt, after nearly three years of forced labor; and had co-founded Magnum Photos, an international photo cooperative that remains in operation today (one of his co-founders was Robert Capa, who was featured in our posting for 1938). Previously a painter, Cartier-Bresson describes the interlude when he came to photography, which [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":false,"categories":[5,1],"tags":[],"class_list":["post-1617","post","type-post","status-publish","format-standard","hentry","category-all-years","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/libraries.mit.edu\/150books\/wp-json\/wp\/v2\/posts\/1617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/libraries.mit.edu\/150books\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/libraries.mit.edu\/150books\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/libraries.mit.edu\/150books\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/libraries.mit.edu\/150books\/wp-json\/wp\/v2\/comments?post=1617"}],"version-history":[{"count":11,"href":"https:\/\/libraries.mit.edu\/150books\/wp-json\/wp\/v2\/posts\/1617\/revisions"}],"predecessor-version":[{"id":4374,"href":"https:\/\/libraries.mit.edu\/150books\/wp-json\/wp\/v2\/posts\/1617\/revisions\/4374"}],"wp:attachment":[{"href":"https:\/\/libraries.mit.edu\/150books\/wp-json\/wp\/v2\/media?parent=1617"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/libraries.mit.edu\/150books\/wp-json\/wp\/v2\/categories?post=1617"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/libraries.mit.edu\/150books\/wp-json\/wp\/v2\/tags?post=1617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}