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Abbey, Eric James. Garage rock and its roots: musical rebels and the drive for individuality. Adorno, Theodor W. Philosophy of new music; translated, edited, and with an introduction by Robert Hullot-Kentor. African American music: an introduction / edited by Mellonee V. Burnim, Portia K. Maultsby. Anderson, Tim J. Making easy listening: material culture and postwar American recording. (Commerce and mass culture series) André, Naomi Adele. Voicing gender: Castrati, Travesti, and the second woman in early-nineteenth-century Italian opera. Auslander, Philip. Performing glam rock: gender and theatricality in popular music. Bach's changing world: voices in the community / edited by Carol K. Baron. (Eastman studies in music, 37) Ballad mediations: folksongs recovered, represented, and reimagined / edited by Roger deV. Renwick & Sigrid Rieuwerts. (BASIS: ballads and songs - international studies, 2) Banat, Gabriel. The Chevalier de Saint-Georges: virtuoso of the sword and the bow. (Lives in music series, 7) Berger, William. Puccini without excuses: a refreshing reassessment of the world's most popular composer. Berio, Luciano. Remembering the future. (The Charles Eliot Norton lectures) Bernstein, Seymour. Chopin: interpreting his notational symbols. Borgo, David. Sync or swarm: improvising music in a complex age. Braun, Joachim. On Jewish music: past and present. Brode, Douglas. Elvis cinema and popular culture. Brothers, Thomas David. Louis Armstrong's New Orleans. Büchmann-Møller, Frank. Someone to watch over me: the life and music of Ben Webster. (Jazz perspectives) Butler, Mark J. (Mark Jonathan). Unlocking the groove: rhythm, meter, and musical design in electronic dance music. Cairns, David. Mozart and his operas. Call me the seeker: listening to religion in popular music / edited by Michael J. Gilmour. The Cambridge companion to twentieth-century opera / edited by Mervyn Cooke. (Cambridge companions to music) The Cambridge history of seventeenth-century music / edited by Tim Carter and John Butt. (Cambridge history of music) Cantor, Louis. Dewey and Elvis: the life and times of a rock 'n' roll deejay. (Music in American life) Changing tunes: the use of pre-existing music in film / edited by Phil Powrie, Robynn Stilwell. Chapman, Janice L. Singing and teaching singing: a holistic approach to classical voice. Claxton, William. Jazzlife: a journey for jazz across America in 1960. Cohen, Ronald D. Folk music: the basics. (The basics) Coleman, Rick. Blue Monday: Fats Domino and the lost dawn of rock 'n' roll. Consuming music together: social and collaborative aspects of music consumption technologies / edited by Kenton O'Hara and Barry Brown. Copland, Aaron. The selected correspondence of Aaron Copland / edited by Elizabeth B. Crist and Wayne Shirley. Coté, David. Wicked: the Grimmerie. Cybersounds: essays on virtual music culture / Michael D. Ayers, editor. (Digital formations, 31) Dargan, William T. Lining out the word: Dr. Watts hymn singing in the music of Black Americans. (Music of the African diaspora, 8) DeSalvo, Debra. The language of the blues from Alcorub to Zuzu. D'Rivera, Paquito. My sax life: a memoir; translated by Luis Tamargo. (Latino voices) Durand, Joël-François. Joël-François Durand in the mirror land / edited by Jonathan W. Bernard. Edgard Varèse: composer, sound sculptor, visionary / edited by Felix Meyer and Heidy Zimmermann. Emmons, Shirlee. Prescriptions for choral excellence: tone, text, dynamic leadership. Farrington, Jim. Audio and video equipment basics for libraries. (Music Library Association basic manual series, 5) Fernandez, Raul A. From Afro-Cuban rhythms to Latin jazz. (Music of the African diaspora, 10) Fineberg, Joshua. Classical music, why bother?: hearing the world of contemporary culture through a composer's ears. Flinn, Denny Martin. Little musicals for little theatres: a reference guide to the musicals that don't need chandeliers or helicopters to succeed. Fonarow, Wendy. Empire of dirt: the aesthetics and rituals of British indie music. (Music/culture) Foster, Pops. The autobiography of Pops Foster: New Orleans jazzman, as told to Tom Stoddard. Frisch, Walter. German modernism: music and the arts. (California studies in 20th-century music, 3) Gallo, Denise P. Opera: the basics. (The basics) Gaunt, Kyra Danielle. The games black girls play: learning the ropes from Double-dutch to Hip-hop. Gennari, John. Blowin' hot and cool: jazz and its critics. Gioia, Ted. Healing songs. Gioia, Ted. Work songs. Gordon, David. Musical visitors to Britain. Gossett, Philip. Divas and scholars: performing Italian opera. Grainger, Percy. Self-portrait of Percy Grainger / edited by Malcolm Gillies, David Pear, and Mark Carroll. Guralnick, Peter. Dream boogie: the triumph of Sam Cooke. Heiles, Anne Mischakoff. Mischa Mischakoff: journeys of a concertmaster. (Detroit monographs in musicology/Studies in music, 46) Herbert, Trevor. The trombone. (Yale musical instrument series) Hesselink, Nathan. P'ungmul: South Korean drumming and dance. (Chicago studies in ethnomusicology) Hinkle-Turner, Elizabeth. Women composers and music technology in the United States: crossing the line. Hodeir, André. The André Hodeir jazz reader; edited by Jean-Louis Pautrot. (Jazz perspectives) Hollis, Tim. Mouse tracks: the story of Walt Disney Records. Huckvale, David. James Bernard, composer to Count Dracula: a critical biography. Huron, David. Sweet anticipation: music and the psychology of expectation Ind, Peter. Jazz visions: Lennie Tristano and his legacy. (Popular music history) Inside the Ring: essays on Wagner's opera cycle / edited by John Louis DiGaetani. Internet music / edited by Andrew Hugill. (Contemporary music review, 24/6) Johnson, Ian. William Alwyn: the art of film music. Knight, David B. Landscapes in music: space, place, and time in the world's great music. (Why of where) Largey, Michael D. Vodou nation: Haitian art music and cultural nationalism. (Chicago studies in ethnomusicology) Lavezzoli, Peter. The dawn of Indian music in the West: Bhairavi. Lee, William F. American big bands. Leeuw, Ton de. Music of the twentieth century: a study of its elements and structure. Translated from the Dutch by Stephen Taylor. LeRoy, Dan. Paul's boutique. (33 1/3) Le Tellier, Robert Ignatius. The operas of Giacomo Meyerbeer. Leu, Lorraine. Brazilian popular music: Caetano Veloso and the regeneration of tradition. (Ashgate popular and folk music series) Levin, Theodore Craig. Where rivers and mountains sing: sound, music, and nomadism in Tuva and beyond. Levinson, Peter J. Tommy Dorsey: livin' in a great big way: a biography. Levitin, Daniel J. This is your brain on music: the science of a human obsession. Lewin, David. Studies in music with text. (Oxford studies in music theory) Lowe, Kelly Fisher. The words and music of Frank Zappa. (Praeger Singer-songwriter collection) Loy, D. Gareth. Musimathics: the mathematical foundations of music. Lyrics and borrowed tunes of the American temperance movement / compiled and edited by Paul D. Sanders. Mahler, Gustav. The Mahler family letters / edited, translated, and annotated by Stephen McClatchie. Marquis, Donald M. In search of Buddy Bolden: first man of jazz. Rev. ed. McMath, Robert C. A guide to Lewis families and homesites on the Delmarva Peninsula, 1635-1898: a Lewis family genealogy. Memories of John Lennon / edited and introduced by Yōko Ono. MENC handbook of musical cognition and development / edited by Richard Colwell. Middleton, Richard. Voicing the popular: on the subjects of popular music. Millington, Barry. The New Grove guide to Wagner and his operas. (New Grove composers series) Miner, Luke. Paris jazz: a guide from the jazz age to the present. Miranda, Eduardo Reck. New digital musical instruments: control and interaction beyond the keyboard. (Computer music and digital audio series, 21) Moore, Robin. Music and revolution: cultural change in socialist Cuba. (Music of the African diaspora, 9) Moser, David J. Moser on music copyright. Multiple interpretations of dynamics of creativity and knowledge in African music traditions: a Festschrift in honor of Akin Euba on the occasion of his 70th birthday / edited by Bode Omojola and George Dor. Murail, Tristan. Models & artifice: the collected writings of Tristan Murail / edited by Joshua Fineberg & Pierre Michel. (Contemporary music review, 24/2-3) Murphy, John P. (John Patrick). Music in Brazil: experiencing music, expressing culture. (Global music series) Music and manipulation: on the social uses and social control of music / edited by Steven Brown and Ulrik Volgsten. Music in American religious experience / edited by Philip V. Bohlman, Edith L. Blumhofer, Maria M. Chow. Musical childhoods & the cultures of youth / edited by Susan Boynton & Roe-Min Kok. (Music/culture) Newsome, Roy. The modern brass band: from the 1930s to the new millennium. Niven, John, guitarist. Music from Big Pink: a novella. (33 1/3) North, Roger. Roger North's The musicall grammarian: 1728 / edited with introductions and notes by Mary Chan and Jamie C. Kassler. (Cambridge studies in music) Ostwald, David. Acting for singers: creating believable singing characters. Palisca, Claude V. Music and ideas in the sixteenth and seventeenth centuries. (Studies in the history of music theory and literature) Parker, Roger. Remaking the song: operatic visions and revisions from Handel to Berio. (Ernest Bloch lectures) Performance and popular music: history, place and time / edited by Ian Inglis. (Ashgate popular and folk music series) Piazza, Tom. Understanding jazz: ways to listen. Pillsbury, Glenn T. Damage incorporated: Metallica and the production of musical identity. Prentner, Marie. Leschetizky's fundamental principles of piano technique. Price, Emmett George. Hip hop culture. Queering the popular pitch / edited by Sheila Whiteley and Jennifer Rycenga. Raja, Deepak. Hindustani music: a tradition in transition. (New vistas in Indian performing arts, 7) Reading the Beatles: cultural studies, literary criticism, and the Fab Four / edited by Kenneth Womack and Todd F. Davis. Reel tracks: Australian feature film music and cultural identities / edited by Rebecca Coyle. Reger, Max. Selected writings of Max Reger / edited and translated by Christopher Anderson. The resisting muse: popular music and social protest / edited by Ian Peddie. Reynolds, Simon. Rip it up and start again: postpunk 1978-1984. Ringer, Mark. Opera's first master: the musical dramas of Claudio Monteverdi. Rodríguez-Peralta, Phyllis W. Philadelphia maestros: Ormandy, Muti, Sawallisch. Rubin, Emanuel. Music in Jewish history and culture. (Detroit monographs in musicology/Studies in music, 47) Rush, Mark, violinist. Playing the violin: an illustrated guide. Sandford, Christopher. McCartney. Schick, Steven. The percussionist's art: same bed, different dreams. Schneck, Daniel J. The music effect: music physiology and clinical applications. Schoell, William. The opera of the twentieth century: a passionate art in transition. Shannon, Jonathan Holt. Among the jasmine trees: music and modernity in contemporary Syria. (Music/culture) Smith, Susan. The musical: race, gender and performance. (Short cuts, 26) Sonic experience: a guide to everyday sounds / edited by Jean-François Augoyard and Henry Torgue; translated by Andra McCartney and David Paquette. Spitzer, Michael. Music as philosophy: Adorno and Beethoven's late style. (Musical meaning and interpretation) Stinson, Russell. The reception of Bach's organ works from Mendelssohn to Brahms. Stohrer, Sharon. The singer's companion. The string quartets of Beethoven / edited by William Kinderman. Structure and meaning in tonal music: Festschrift in honor of Carl Schachter / L. Poundie Burstein and David Gagné, editors. (Harmonologia series, 12) Subramanian, Lakshmi. From the Tanjore Court to the Madras Music Academy: a social history of music in South India. Talbot, Michael. The chamber cantatas of Antonio Vivaldi. Tippett, Michael. Selected letters of Michael Tippett / edited by Thomas Schuttenhelm; with a foreword by David Matthews. Tokumaru, Yoshihiko. Musics, signs and intertextuality: collected papers. Volpe, Joseph. The toughest show on earth: my rise and reign at the Metropolitan Opera. Waldoff, Jessica Pauline. Recognition in Mozart's operas. Walsh, Stephen. Stravinsky: the second exile: France and America, 1934-1971. Werner, Craig Hansen. A change is gonna come: music, race & the soul of America. White, Shane. The sounds of slavery: discovering African American history through songs, sermons, and speech. White, Timothy. Catch a fire: the life of Bob Marley. Rev. and enl. Whiteis, David. Chicago blues: portraits and stories. (Music in American life) Widor, Charles Marie. Manual of practical instrumentation; translated by Edward Suddard; with an appendix by Gordon Jacob. (London, 1946) |
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