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Abbott,
Lynn. Out of sight: the rise of African American popular music,
1889-1895 / Lynn Abbott and Doug Seroff. (American made music series) Adams,
Deanna R. Rock 'n' roll and the Cleveland connection. Agawu,
V. Kofi (Victor Kofi). Representing African music: postcolonial
notes, queries, positions. Albertson,
Chris. Bessie. Analyzing
popular music / edited by Allan F. Moore. Aziz,
Ashraf. Light of the universe: essays on Hindustani film music. Bach
perspectives. Barenboim,
Daniel. Parallels and paradoxes: explorations in music and society. Benson,
Bruce Ellis. The improvisation of musical dialogue: a phenomenology
of music. Berlioz,
Hector. The musical madhouse = Les grotesques de la musique; translated
and edited by Alastair Bruce; with an introduction by Hugh Macdonald.
(Eastman studies in music) Berlioz:
past, present, future: bicentenary essays / edited by Peter Bloom.
(Eastman studies in music) Black,
blanc, beur: rap music and hip-hop culture in the francophone world
/ edited by Alain-Philippe Durand. Brown,
Clive. A portrait of Mendelssohn. Brown,
Rachel. The early flute: a practical guide. (Cambridge handbooks
to the historical performance of music) Buch,
Esteban. Beethoven's Ninth: a political history; translated by Richard
Miller. Butt,
John. Playing with history: the historical approach to musical performance.
(Musical performance and reception) The
Cambridge companion to blues and gospel music / edited by Allan
Moore. (Cambridge companions to music) The
Cambridge companion to jazz / edited by Mervyn Cooke and David Horn.
(Cambridge companions to music) The
Cambridge companion to the guitar / edited by Victor Anand Coelho.
(Cambridge companions to music) The
Cambridge companion to the musical / edited by William A. Everett,
Paul R. Laird. (Cambridge companions to music) The
Cambridge companion to the orchestra / edited by Colin Lawson. (Cambridge
companions to music) Canarina,
John. Pierre Monteux, maître. Cantwell,
Robert. Bluegrass breakdown: the making of the old southern sound.
(Music in American life) Carli,
Alice. Binding and care of printed music. (Music Library Association
basic manual series, 2) Carroll,
Mark. Music and ideology in Cold War Europe. (Music in the twentieth
century) Carter,
Tim. Monteverdi's musical theatre. Christensen,
Jesper Bøje. 18th century continuo playing: a historical
guide to the basics; translated by J. Bradford Robinson. Cohen,
Ronald D. Rainbow quest: the folk music revival and American society,
1940-1970. A
composer's insight: thoughts, analysis, and commentary on contemporary
masterpieces for wind band / edited by Timothy Salzman. Computer-applications
in music research: concepts, methods, results / edited by Nico
Schüler.
(Methodology of music research, 1) Cope,
David. New directions in music. 7th ed. Copland
connotations: studies and interviews / edited by Peter Dickinson. The
cultural study of music: a critical introduction / edited by Martin
Clayton, Trevor Herbert, Richard Middleton. Davies,
Peter J. Beethoven in person: his deafness, illnesses, and death.
(Contributions to the study of music and dance, 59) Davies,
Stephen. Themes in the philosophy of music. Dean,
R. T. Hyperimprovisation: computer-interactive sound improvisation.
(Computer music and digital audio series, 19) Dempsey,
John Mark. The Light Crust Doughboys are on the air: celebrating
seventy years of Texas music. (Evelyn Oppenheimer series, 2) Dhar,
Sheila. The cooking of music and other essays. Dickinson,
Peter. The music of Lennox Berkeley. 2nd rev. ed. DiGaetani,
John Louis. Wagner and suicide. Every
sound there is: the Beatles' Revolver and the transformation of
rock and roll / edited by Russell Reising. (Ashgate popular and
folk music series) Fearn,
Raymond. The music of Luigi Dallapiccola. (Eastman studies in music) Fischmann,
Zdenka E. Essays on Czech music. (East European monographs, 610) Frosch,
Reinhart. Meantone is beautiful: studies on tunings of musical instruments. Galliano,
Luciana. Yogaku: Japanese music in the twentieth century; translated
by Martin Mayes. Glover,
Tony. Blues with a feeling: the Little Walter story. Guilbert,
Georges-Claude. Madonna as postmodern myth: how one star's self-construction
rewrites sex, gender, Hollywood, and the American dream. Hako,
Pekka. Finnish opera. Hawkins,
Stan. Settling the pop score: pop texts and identity politics. (Ashgate
popular and folk music series) Haynes,
Bruce. A history of performing pitch: the story of "A." Heartz,
Daniel. Music in European capitals: the galant style, 1720-1780. Hill,
Brad. The digital songstream: mastering the world of digital music. Hoeckner,
Berthold. Programming the absolute: nineteenth-century German music
and the hermeneutics of the moment. Holland,
James. Practical percussion: a guide to the instruments and their
sources. Horvath,
Janet. Playing (less) hurt: an injury prevention guide for musicians. Jain,
Richa. Song of the rainbow: a work on depiction of music through
the medium of paintings in the Indian tradition. Jankélévitch,
Vladimir. Music and the ineffable; translated by Carolyn Abbate. Johnson,
Timothy A. Foundations of diatonic theory: a mathematically based
approach to music fundamentals. (Mathematics across the curriculum) Jones,
John Bush. Our musicals, ourselves: a social history of the American
musical theater. Katz,
Ruth. Tuning the mind: connecting aesthetics to cognitive science. Keyes,
Cheryl Lynette. Rap music and street consciousness. (Music in American
life) Knapp,
Raymond. Symphonic metamorphoses: subjectivity and alienation in
Mahler's re-cycled songs. (Music/culture ) Kruse,
Holly. Site and sound: understanding independent music scenes. (Music/meanings,
1) Kukla,
Barbara J. Swing city: Newark nightlife, 1925-50. Land
without nightingales: music in the making of German-America / edited
by Philip V. Bohlman and Otto Holzapfel. (Studies of the Max Kade
Institute for German-American Studies) Ledbetter,
David. Bach's Well-tempered clavier: the 48 preludes and fugues. Leech-Wilkinson,
Daniel. The modern invention of medieval music: scholarship, ideology,
performance. (Musical performance and reception) Lydon,
Michael. Flashbacks: eyewitness accounts of the rock revolution,
1964-1974. MacFadyen,
David Ward. Estrada?!: grand narratives and the philosophy of the
Russian popular song since Perestroika. Madell,
Geoffrey. Philosophy, music, and emotion. Malone,
Bill C. Country music, U.S.A. Malone,
Bill C. Southern music/American music / Bill C. Malone and David
Stricklin. Martin
Scorsese presents the blues: a musical journey / edited by Peter
Guralnick ... [et al.] Mazzola,
G. (Guerino). The topos of music: geometric logic of concepts, theory,
and performance. Meconi,
Honey. Pierre de la Rue and musical life at the Habsburg-Burgundian
court. Mediterranean
mosaic: popular music and global sounds / edited by Goffredo Plastino.
(Perspectives on global pop) Meintjes,
Louise. Sound of Africa!: making music Zulu in a South African studio. The
Mendelssohns: their music in history / edited by John Michael Cooper
and Julie D. Prandi. Metzer,
David Joel. Quotation and cultural meaning in twentieth-century
music. (New perspectives in music history and criticism) Meyer,
Stephen C. Carl Maria von Weber and the search for a German opera. Montana,
Patsy. Patsy Montana: the cowboy's sweetheart. Morreau,
Annette. Emanuel Feuermann. Movie
music, the film reader / edited by Kay Dickinson. (In focus--Routledge
film readers) Murdoch,
James. Peggy Glanville-Hicks: a transposed life. (Lives in music
series, 5) Music
and gender: perspectives from the Mediterranean /edited by Tullia
Magrini. (Chicago studies in ethnomusicology) Music
of the twentieth-century avant-garde: a biocritical sourcebook /
edited by Larry Sitsky. Musical
migrations: transnationalism and cultural hybridity in Latin/o
America / edited by Frances R. Aparicio, Cándida Jáquez, with
María Elena Cepeda. Musical
performance: a guide to understanding / edited by John Rink. Nadkarni,
Mohan. Music to thy ears: great masters of Hindustani instrumental
music. Neal,
Mark Anthony. Songs in the key of black life: a rhythm and blues
nation. Nettles,
Darryl Glenn. African American concert singers before 1950. New
music of the Nordic countries / edited by John D. White. Nice,
David. Prokofiev: from Russia to the West, 1891-1935. Nichols,
Roger. The harlequin years: music in Paris, 1917-1929. O'Brien,
Lucy. She bop II: the definitive history of women in rock, pop and
soul. Rev. ed. Ottenberg,
June C. Gustav Hinrichs (1850-1942): American conductor and composer.
(Detroit monographs in musicology/Studies in music, 37) Pateman,
Roy. Chaos and dancing star: Wagner's politics, Wagner's legacy. Pegg,
Bruce. Brown eyed handsome man: the life and hard times of Chuck
Berry: an unauthorized biography. Piano
lessons in the grand style: from the golden age of The etude music
magazine (1913-1940) / edited and with an introduction by Jeffrey
Johnson. The
poetic and musical legacy of Heloise and Abelard: an anthology of
essays by various authors / edited by Marc Stewart and David Wulstan.
(Wissenschaftliche Abhandlungen, 78) Popular
music studies / edited by David Hesmondhalgh and Keith Negus. Portrait(s)
of Darius Milhaud / French version edited by Myriam Chimènes
and Catherine Massip; English translation by Jeremy Drake. Prieto,
Eric. Listening in: music, mind, and the modernist narrative. (Stages
(Series), 19) Purcell,
Natalie J. Death Metal music: the passion and politics of a subculture. Racy,
Ali Jihad. Making music in the Arab world: the culture and artistry
of Tarab. (Cambridge Middle East studies, 17) Rasmussen,
Ljerka V. Newly composed folk music of Yugoslavia. (Current research
in ethnomusicology, 1) Ravikumar,
Geetha. The concept and evolution of raga in Hindustani and Karnatic
music. Reed,
Teresa L. The holy profane: religion in Black popular music. Reynolds,
Christopher A. Motives for allusion: context and content in nineteenth-century
music. Robinson,
Paul A. Opera, sex, and other vital matters. Roby,
Steven. Black gold: the lost archives of Jimi Hendrix. Rosen,
Charles. Piano notes :the world of the pianist. Samson,
Jim. Virtuosity and the musical work: the "Transcendental studies"
of Liszt. Schubert's
Winterreise: a winter journey in poetry, image, & song / poems
by Wilhelm Müller; translated by Louise McClelland Urban;
foreword by John Harbison; essay by Susan Youens; photographs by
Katrin Talbot. Scott,
Derek B. From the erotic to the demonic: on critical musicology. Seachrist,
Denise A. The musical world of Halim El-Dabh. Servadio,
Gaia. Rossini. Shieff,
Sarah. Talking music: conversations with New Zealand musicians. Slonimsky,
Nicolas. The listener's companion: the great composers and their
works. Smith,
Jeremy L. Thomas East and music publishing in Renaissance England. Smith,
Kathleen E. R. God bless America: Tin Pan Alley goes to war. Smith,
Ralph Lee. Appalachian dulcimer traditions. (American folk music
and musicians, 2) Solomon,
Maynard. Late Beethoven: music, thought, imagination. The
sounds of people and places: a geography of American music from
country to classical and blues to bop / edited by George O. Carney.
4th ed. Starr,
Larry. American popular music: from minstrelsy to MTV / Larry Starr;
Christopher Waterman. Still
growing: English traditional songs and singers from the Cecil Sharp
Collection / compiled and edited by Steve Roud, Eddie Upton and
Malcolm Taylor. Thomas,
Downing A. Aesthetics of opera in the Ancien Régime, 1647-1785.
(Cambridge studies in opera) Treadwell,
James. Interpreting Wagner. Treitler,
Leo. With voice and pen: coming to know medieval song and how it
was made. Undercurrents:
the hidden wiring of modern music / edited by Rob Young. Utz,
Peter. Introduction to audio. (Computer music and digital audio
series, 20) Wagner's
Meistersinger: performance, history, representation / edited by
Nicholas Vazsonyi. Wald,
Elijah. Josh White: society blues. Waring,
Dennis. Manufacturing the muse: Estey organs & consumer culture
in Victorian America. (Music/culture) Warren,
Richard S. Begins with the oboe: a history of the Toronto Symphony
Orchestra. Watkins,
Glenn. Proof through the night: music and the great war. Waxer,
Lise. The city of musical memory: salsa, record grooves, and popular
culture in Cali, Colombia. (Music/culture) A
way a lone: writing on Toru Takemitsu / editors, Hugh de Ferranti,
Yôko Narazaki. Webber,
Christopher. The zarzuela companion. White,
Charles W. Alejandro García Caturla: a Cuban composer in
the twentieth century. Whittall,
Arnold. Exploring twentieth-century music: tradition and innovation. The
women of country music: a reader / edited by Charles K. Wolfe and
James E. Akenson. Yearsley,
David Gaynor. Bach and the meanings of counterpoint. (New perspectives
in music history and criticism)
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