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Adlington, Robert. Louis Andriessen, De staat. (Landmarks in music since 1950) Altman, Rick. Silent film sound. (Film and culture) And it don't stop?: the best American hip-hop journalism of the last 25 years / edited by Raquel Cepeda. Ansell, Gwen. Soweto blues: jazz, polular [sic.] music, and politics in South Africa. Appel, Alfred. Jazz modernism: from Ellington and Armstrong to Matisse and Joyce. Argento, Dominick. Catalogue raisonné as memoir: a composer's life. The art of piano pedaling: two classic guides / Anton Rubinstein and Teresa Carreño. Audio culture: readings in modern music / edited by Christoph Cox and Daniel Warner. Averill, Gage. Four parts, no waiting: a social history of American barbershop harmony. (American musicspheres) Bad music: the music we love to hate / edited by Christopher Washburne and Maiken Derno. The Beethoven violin sonatas: history, criticism, performance / edited by Lewis Lockwood and Mark Kroll. Benjamin, Thomas. The craft of tonal counterpoint. 2nd ed. Berrett, Joshua. Louis Armstrong & Paul Whiteman: two kings of jazz. Beyond structural listening?: postmodern modes of hearing / edited by Andrew Dell'Antonio. Brophy, Philip. 100 modern soundtracks. (BFI screen guides) Buelow, George J. A history of baroque music. The Cambridge companion to Bruckner / edited by John Williamson. (Cambridge companions to music) The Cambridge companion to Mendelssohn / edited by Peter Mercer-Taylor. (Cambridge companions to music) The Cambridge companion to the Lied / edited by James Parsons. (Cambridge companions to music) Campbell, Murray. Musical instruments: history, technology, and performance of instruments of western music / Murray Campbell, Clive Greated, and Arnold Myers. Citron, Stephen. Jerry Herman: poet of the showtune. Cornelius, Steven. Music of the Civil War era. (American history through music) Cummings, Anthony M. The Maecenas and the madrigalist: patrons, patronage, and the origins of the Italian madrigal. (Memoirs of the American Philosophical Society, 253) Daitz, Mimi S. Ancient song recovered: the life and music of Veljo Tormis. (Dimension & diversity, 3) Darden, Bob. People get ready!: a new history of Black gospel music. Deleuze and music / edited by Ian Buchanan and Marcel Swiboda. DeMain, Bill. In their own words: songwriters talk about the creative process. Dixon, Gail Susan. The music of Harry Freedman. Dunsby, Jonathan. Making words sing: nineteenth- and twentieth-century song. Empirical musicology: aims, methods, prospects / edited by Eric Clarke and Nicholas Cook. Feder, Stuart. Gustav Mahler: a life in crisis. Felsenfeld, Daniel. Ives and Copland: a listener's guide. (Parallel lives series, 1) Fleming, Renée. The inner voice: the making of a singer. Fling, Robert Michael. Library acquisition of music; edited by Peter Munstedt. (Music Library Association basic manual series, 4) Goehring, Edmund Joseph. Three modes of perception in Mozart: the philosophical, pastoral, and comic in Così fan tutte. (Cambridge studies in opera) Gold, Lisa (Lisa Rachel). Music in Bali: experiencing music, expressing culture. (Global music series) Gottlieb, Jack. Funny, it doesn't sound Jewish: how Yiddish songs and synagogue melodies influenced Tin Pan Alley, Broadway, and Hollywood. (SUNY series on modern Jewish literature and culture) Haines, John. Eight centuries of troubadours and trouvères: the changing identity of medieval music. (Musical performance and reception) Halfyard, Janet K. Danny Elfman's Batman: a film score guide. (Scarecrow film score guides, 2) Hamelman, Steven L. But is it garbage?: on rock and trash. Hardwick, Peter. British organ music of the twentieth century. Hatten, Robert S. Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert. (Musical meaning and interpretation) Hentoff, Nat. American music is. Hess, Carol A. Sacred passions: the life and music of Manuel de Falla. Hubbs, Nadine. The queer composition of America's sound: gay modernists, American music, and national identity. Hurwitz, David. The Mahler symphonies: an owner's manual. (Unlocking the masters series, 2) Irving, John. Mozart's piano concertos. Johnson, Timothy A. Baseball and the music of Charles Ives: a proving ground. Kart, Larry. Jazz in search of itself. Katz, Mark. Capturing sound: how technology has changed music. Kelly, Thomas Forrest. First nights at the opera. Keyboard music before 1700 / edited by Alexander Silbiger. 2nd ed. (Routledge studies in musical genres) Klein, Michael Leslie. Intertextuality in western art music. (Musical meaning and interpretation) Knapp, Raymond. The American musical and the formation of national identity. Köhler, Joachim. Richard Wagner: the last of the titans; translated by Stewart Spencer. Kompanek, Sonny. From score to screen: sequencers, scores, & second thoughts: the new film scoring process. Kramer, Lawrence. Opera and modern culture: Wagner and Strauss. Kroll, Mark. Playing the harpsichord expressively: a practical and historical guide. Ledgin, Stephanie P. Homegrown music: discovering bluegrass. Leinberger, Charles. Ennio Morricone's The good, the bad and the ugly: a film score guide. (Scarecrow film score guides, 3) Lidov, David. Is language a music?: writings on musical form and signification. (Musical meaning and interpretation) London, Justin. Hearing in time: psychological aspects of musical meter. Magaldi, Cristina. Music in imperial Rio de Janeiro: European culture in a tropical milieu. Mahler, Gustav. Gustav Mahler: letters to his wife / edited by Henry-Louis de La Grange and Günther Weiss; in collaboration with Knud Martner; first complete edition, revised and translated by Antony Beaumont. Mahon, Maureen. Right to rock: the Black Rock Coalition and the cultural politics of race. Majumdar, Abhik. Bhimsen Joshi: a passion for music. (Charitavali series) Marley, Rita. No woman, no cry: my life with Bob Marley. McCann, Bryan. Hello, hello Brazil: popular music in the making of modern Brazil. McKeen, Patrick L. Keep your gear running: electronics for musicians. McKnight Foundation.
Stanislaw Skrowaczewski: 2004 distinguished artist. McLean, Mervyn. To tatau waka: in search of Maori music (1958-1979). Miller, Richard. Solutions for singers: tools for performers and teachers. Moon, Krystyn R. Yellowface: creating the Chinese in American popular music and performance, 1850s-1920s. Mordden, Ethan. The happiest corpse I've ever seen: the last twenty-five years of the Broadway musical. Moreno, Jairo. Musical representations, subjects, and objects: the construction of musical thought in Zarlino, Descartes, Rameau, and Weber. (Musical meaning and interpretation) Music in Latin America and the Caribbean: an encyclopedic history / edited by Malena Kuss. Vol.1,
Performing beliefs: indigenous peoples of South America, Central America, and Mexico. Music observed: studies in memory of William C. Holmes / edited by Colleen Reardon and Susan Parisi. (Detroit monographs in musicology/Studies in music, 42) Musical excellence: strategies and techniques to enhance performance / edited by Aaron Williamon. The musician as entrepreneur, 1700-1914: managers, charlatans, and idealists / edited by William Weber. Neate, Patrick. Where you're at: notes from the frontline of a hip-hop planet. National Conference on Music of the Civil War Era. Bugle resounding: music and musicians of the Civil War era / edited by Bruce C. Kelley and Mark A. Snell. (Shades of blue and gray series) Off the planet: music, sound and science fiction cinema / edited by Philip Hayward. Olaniyan, Tejumola. Arrest the music!: Fela and his rebel art and politics. (African expressive cultures) Olsen, Dale A. (Dale Alan). The chrysanthemum and the song: music, memory, and identity in the South American Japanese diaspora. (New World diasporas series) Opdahl, Robert C. A Shaker musical legacy / Robert C. Opdahl and Viola E. Woodruff Opdahl. Osborne, William. Music in Ohio. Performing ethnomusicology: teaching and representation in world music ensembles / edited by Ted Solís. Perspectives on Ernst von Dohnányi / edited by James A. Grymes. Post, Jennifer C. Music in rural New England family and community life, 1870-1940. (Revisiting New England) The pleasure of modernist music: listening, meaning, intention, ideology / edited by Arved Ashby. (Eastman studies in music) Randall, Annie Janeiro. Puccini & The Girl: history and reception of The girl of the golden West. Rath, Richard Cullen. How early America sounded. Reyes, Adelaida. Music in America: experiencing music, expressing culture. (Global music series) Ridley, Aaron. The philosophy of music: theme and variations. Rijn, Guido van. The Truman and Eisenhower blues: African-American blues and gospel songs, 1945-1960. The rose & the briar: death, love and liberty in the American ballad / edited by Sean Wilentz and Greil Marcus. Rose, Gilbert J. Between couch and piano: psychoanalysis, music, art and neuroscience. Santoro, Gene. Highway 61 revisited: the tangled roots of American jazz, blues, & country music. Sanyal, Ritwik. Dhrupad: tradition and performance in Indian music / Ritwik Sanyal and Richard Widdess. (SOAS musicology series) Savaglio, Paula. Negotiating ethnic boundaries: Polish American music in Detroit. (Detroit monographs in musicology/Studies in music, 43) Sethares, William A. Tuning, timbre, spectrum, scale. Shostakovich and his world / edited by Laurel E. Fay. (Bard Music Festival series) Snelson, John. Andrew Lloyd Webber. (Yale Broadway masters) Sound matterss: essays on the acoustics of modern German culture / edited by Nora M. Alter and Lutz Koepnick. Soviet music and society under Lenin and Stalin: the baton and sickle / edited by Neil Edmunds. (BASEES/RoutledgeCurzon series on Russian and East European studies, 9) Spiller, Henry. Gamelan: the traditional sounds of Indonesia. (ABC-CLIO world music series) Starker, Janos. The world of music according to Starker. Stone, Ruth M. Music in West Africa: experiencing music, expressing culture. (Global music series) Studio A: the Bob Dylan reader / edited by Benjamin Hedin. Symes, Colin. Setting the record straight:a material history of classical recording. Toop, David. Haunted weather: music, silence, and memory. The twentieth-century string quartet / edited by Douglas Jarman. Villamil, Victoria Etnier. From Johnson's kids to Lemonade Opera: the American classical singer comes of age. Visual perception of music notation: on-line and off-line recognition / Susan E. George [editor]. Von Eschen, Penny M. (Penny Marie). Satchmo blows up the world: jazz ambassadors play the Cold War. Wade, Bonnie C. Music in Japan: experiencing music, expressing culture. (Global music series) Waterhouse, William. Bassoon.
(Yehudi Menuhin music guides) Wehrmeyer, Andreas. Rakhmaninov; translated by Anne Wyburd. (Life & times) Williams, Simon. Wagner and the Romantic hero. Wired for sound: engineering and technologies in sonic cultures / edited by Paul D. Greene and Thomas Porcello. (Music/culture) Wong, Deborah Anne. Speak it louder: Asian Americans making music.
This page was last updated on 02/22/08 |
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